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2011 February » The Gigging Musician
 

There is a great new exhibit worth checking out at New York’s Metropolitan Museum of Art called “Guitar Heroes: Legendary Craftsmen from Italy to New York.” The exhibit features the work of John D’Angelico, James D’Aquisto and John Monteleone who are famed for the archtop guitars and mandolins, along with many other Italian builders including Stradivari. The exhibit runs from February 9th through July 4th.

And if you can’t make it to New York to see it in person, the Met has just released  a free iPhone app that walks you through the entire exhibit. Called Met Guitars, the app is a dynamic multimedia guide to the exhibition, which has been developed by the Metropolitan Museum’s Digital Media Department. This is the same narrative tour you will get via iPod Touch should you visit the exhibit in person. The app is big so you’ll need to connect via Wi-Fi or grab it on your computer, but it’s well worth checking out even if you can’t make it to New York.

Definitely take the time to watch the short video below, it is quite amazing! And please chime in if you’ve had the opportunity to see the exhibit.

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Feb 282011
 

This past weekend we had two shows in Ogden Utah at the Outlaw. Great room, holds about 700 people, rodeo was in town, and the place was packed to the gills both nights with some of the wildest crowds we’ve played for in a long time! The perfect scenario, right? Unless of course you’re dealing with a bout of food poisoning! My new motto? “No seafood if you’re not ON the coast!” You know it’s bad enough being sick, and being away from home just makes it that much worse. But then having to drag yourself on stage to perform is really the icing on the cake. I’ll spare you the gory details, and there definitely won’t be any pictures in this post, but I haven’t been so happy to get back home after a gig in a long, long time!

Fortunately it didn’t come on until late the first night, and my bandmates and the crew at the Outlaw were fantastic in taking care of things so I could stay in bed until showtime the second night, but still it was touch and go for awhile there. I’ve never missed a gig for any reason, but this was probably as close as I’ve ever come. Thanks to Pepto Bismal, Gatorade, and Tylenol I made it through the second night and am starting to feel human again today after a good night’s sleep in my own bed.

Getting sick on the road is just one of the hazards that’s an inevitable part of what we do, but I sure hope it’s a long time before I feel like that again. At home or on the road!

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The company that we use to host our email mailing list just sent out an interesting article about the State of Band Email Marketing. They point out some of the mistakes and oversights that bands quite often make when sending out email updates to their fans. Many bands collect email addresses from their fans, but unfortunately many fail to follow up and even send out one email. It can be a lot of work to manage an email list…we know because we have a significant email list that we send weekly newsletters.

That’s why we don’t try to collect and manage the list by ourselves. We use a company called AWeber to help us. It’s not a free service, but it’s reasonably priced and they have all the tools to help manage that ever growing email list. Don’t discount the power of connecting with your fans via email. If you think all of you fans are following you via Facebook you may want to think again. Many people who hear you in a club or concert will never think about spending the time to look you up via Facebook by the time they get home. However, if you collect their email address at the venue you now have to way to keep in contact with them. And you can decide when to send your messages to them instead of hoping that they check Facebook before your next gig.

Collecting email addresses is the easy part. The tough part is doing something with them. That’s where a service like AWeber really earns its stripes. They provide all the tools you need to make managing your list and communicating with your fans easy and painless. A service like this allows you to:

  • Quickly and easily create sign up forms using their built in web tools. With all the smart phones out there you can easily have fans go to your web page and sign up right then and there. Maybe you have your merch person setup with a phone or iPad pointing to your sign up form. Fans can quickly and easily sign up. Speaking of your website, you’re not still using flash are you? Remember that more and more fans are trying to get to your site via their phones and many (most) of those don’t support flash. At the very least provide an alternate HTML version.
  • Companies such as AWeber always send out an opt-in email and easily allow fans to opt-out if they so choose. With all the regulations and emotion surrounding spam these days you want to be sure that your fans feel confident that you’re treating their email with respect.
  • Automatic follow up emails upon sign up. As well, you can schedule emails to go out on certain days or perhaps a particular email is sent exactly 30 days after someone signs up for your list.
  • If your band has a blog an email can be automatically created and scheduled to send out your blog updates.
  • If you send out an email with hyperlinks you can track what links were clicked and how many times. You can also track how many people opened your mail and who opened the mail. This is extremely handy for identifying who is really interested in your band (perhaps for special events like CD release parties) and what they’re interested in (maybe the new acoustic version of a song is getting lots of clicks).

One way to increase the amount of fans you get signing up for your email list is to offer an incentive. As a band you have an easy built in incentive…”hey, if you sign up for our email update list we’ll send you a free mp3 of a new acoustic version of our song. Only fans on our list are getting this version”. You’ll be amazed how quickly your list will grow from just offering your fans an alternate version of a song. It’s a win-win. They get something that they want and you get a way to keep in touch with them long after they’ve gone home.

I don’t want this article to come of sounding like an advertisement for AWeber. We think they’re a great and very useful service. We use them and highly recommend them. However, there are other services out there that may work for you as well. If you’re just starting out and money is tight you can try to manage it on your own for  a while. But realize that if you’re managing the list on your own and it eventually grows to a point that you need a professional service, all of your fans will have to opt-in again and that means you may lose a number of them who fail to do so. Just pointing that out so you’re not surprised in the future.

Here’s an excerpt from AWeber’s State of Band Email Marketing by Amanda Gagnon . The entire article is worth a read and they do a good job of pointing out the good ways and bad ways to use email in marketing your band.

“A few months ago, we stumbled onto Nine Inch Nails’ creative campaign. We wanted to see what other bands were doing, so we signed up for their emails.

Well, they’re not doing much. Most of their messages are infrequent and uninspired. Worse, many bands haven’t sent anything at all.

Why is this? I’ve got some theories of my own. And then I want to hear what you have to say.”

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Feb 222011
 

Here’s a little video of the new Aguilar Tone Hammer 500 pocket size bass amp as described by the President of Aguilar.

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Feb 182011
 

TGM - 1.00mm Clayton Tortex

So I posted this on our Forums the other day and got exactly…..NO responses! I admit, our Forums are a bit unwieldy and Ray is working on a new option for the site that I think you’re really going to like. In the meantime I thought I’d re-post this here and see what kind of response we get. I love these types of personal questions as there are no right or wrong answers and I always hope I’ll find something new that I hadn’t thought of before.

So here goes…..

So I’m a complete gear nerd, goes without saying I suppose. But I’ve been trying a ton of new picks lately and wondered what everyone else out there was using.

Basically since the day they came out in the 80′s, I’ve used the .88 green Dunlop Tortex picks. I usually filed them to a bit of a point (which they are just now releasing as the Tortex III BTW) and that was it. I could re-file them several times before they were just too small to hold onto.

I took several years off from playing, and since I started up again I’ve gone through a ton of different shapes and materials trying to find just the right one. I love the Dunlop Eric Johnson Jazz III’s for blues stuff, but they’re just too hard to hold onto for the strumming involved in the new gig. I also like the Dunlop Jazz III XL series which is identical to the regular Jazz IIIs, just bigger, but they too are a bit thick for strumming. I’ve tried the Dunlop nylon 1.00 and 1.14 Max Grip picks but they are a pain in the a** to file to a point. Tried the new Dunlop Ultex picks as a ton of guys I know rave about them and they do come in a Sharp version, but I just don’t like their clicky tone and their release on the strings.

Lately I’ve just resorted to using our Gigging Musician picks which are Clayton 1.00 Tortex, and I file them to a bit of a point. Looks like I’ve come right back to where I started, just a bit heavier.

Pictured below are some of the picks I’ve collected from our shows over the past year or so. Always interesting to see what guys are playing and the artwork they have.

So that’s my story, what are you using?

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Modern Drummer’s latest contest is giving you a chance to win prize packages that include Sabian’s new AAX OMNI (designed with Jojo Mayer) and Vault Holy China (designed with Chad Smith). Head over to Modern Drummer today and enter to win!

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Quick Looks – Keyboard Rigs at the Grammys

Here’s a look at some of the keyboard rigs at the recent Grammy awards show from KeyboardMag.com. Cool backstage video of several different keyboard setups. Sorry we were not able to embed the video in this post, but just hit the link at the bottom to take you directly to the proper KeyboardMag.com page.

By Robbie Gennet of KeyboardMag.com

“More peeks backstage at the 53rd annual Grammy Awards! As we were being given the tech tour backstage, there were some places where it was okay to shoot video and some where it was not. We were allowed to grab this brief snippets of the keyboard rigs of some of the night’s major performers: Eminem, Mick Jagger, Bruno Mars, and the Arcade Fire–who won Album of the Year for The Suburbs. Longer descriptions of the rigs follow in the text that accompanies each video.”

Videos Here: Quick Looks – Keyboard Rigs at the Grammys, Robbie Gennet.

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New Ahead Sticks

Slightly longer and heavier than their standard 5A, 2B, and Rock models, Ahead’s new Fatbeat 5A, Metal Fusion 2B, and Monsta Rock drumsticks combine the advantages of Ahead’s alternative materials and designs with the increased size and weight preferred by modern drummers. To encourage drummers to try a pair of the advanced sticks at their local drum dealer, Ahead is giving away sticks, drumpads, gloves, stick bags, shirts, and hats during February, March, and April as part of their free “Level-Up” online giveaway contest. For more information, visit your participating Ahead dealer or www.AheadDrumsticks.com.

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Feb 162011
 

If you’ve recently installed a new humbucker, or added pickup covers to an existing humbucker, and are getting microphonic feedback, I may have just the solution for you.

A couple of years ago I was working with Jim Wagner at WCR Pickups and he said he had a perfect set of aged, nickle covers for the pickups he was winding for me. As I was going to install the pickups without the covers to start, he suggested that if I did put them on, that I first add a drop of silicone caulking to each end of the bobbins so there wouldn’t be any resonance between the pickup and the cover which could cause microphonic  feedback. When I asked him if the silicone was easy to remove should I decide to ever take the covers off again, he admitted that it wasn’t the easiest job in the world.

Glue Dots

A couple of days later as I was working my way through a huge pile of junk mail (and the ever-present bills!), I came across some of those sticky glue dots that they use to hold the fake credit cards to the paper and had an idea. So I called Jim the next day and asked if he thought these would do the trick and he thought it was a great idea. I ran down to Staples office supply store and got a sheet of 60 of these glue dots for some ridiculously low price and was ready to install those pickup covers when they arrived the following week.

I got WCR’s Goodwood/Darkburst set and those aged covers really were spectacular, so on they went with those little glue dots attached to each bobbin and that old Les Paul has sounded amazing ever since. Now I know what some of you are saying, “I’ve put on plenty of pickup covers in my life and never had a problem with feedback,” and to be honest, so have I. But now that I know how easy this preventative fix is, you can bet that these little sticky dots will be on all my pickups going forward. I figure, why take the chance when the fix is sooo easy.

Hope this helps!

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Andy Timmons and some dorky guy (yeah, that's me!)

I was fortunate enough to meet and talk with with Andy Timmons at NAMM this year and he was a really nice guy (which is always a relief when you meet a guitarist you like, right?). Andy has been using Mesa Boogie for a long time and I found this video of him trying out the new Mesa TransAtlantic TA-30 at the show.

The TA-30 is the big brother to the very popular TA-15. Besides just being more powerful, the TA-30 adds a tube reverb and a channel-assignable/bypassable effects loop. This 4xEL84, two channel amp offers three power settings for each channel, 15/30/40 watts, to give you ultimate flexibility in balancing your sounds.

Not quite as portable as the TA-15, the 30 brings the Atlantic line out of the studio and places it squarely in a live setting. Order the combo with a lightweight neodymium 12″ speaker and you may have the most powerful, lightweight amp out there.

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Morpheus DropTune

Thanks to everyone for helping us build The Gigging Musician community to over 10,000 in under 2 months time from the launch of the site. We are thrilled that this community is growing so quickly (we hope you are too) and we have much more planned for the near future. If you are not the winner for this contest, don’t worry, we have other contests coming soon…so stay tuned. And now, without further ado……THE WINNER OF THE MORPHEUS DROPTUNE PEDAL IS:

BILLY POWERS of Centereach, NY

Billy, we will be contacting you shortly to get your address to send the pedal to you. We hope you enjoy the Morpheus DropTune pedal as much as our own Gigging Musician Editor Paul has enjoyed his.

Thanks to everyone who participated. We’ll be bringing an all new contest to you in the near future. Make sure you’re on our email list to find out about all our future contests and giveaways.

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You may have already seen this video. But it makes me laugh every time I see it, so I thought I’d post it here for anyone who hasn’t seen it or just needs a good chuckle today.

This drummer is really into playing this song. Either he really likes ZZ Top or he just really digs playin’ his drums….what do you think?

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Feb 092011
 

Just thought we’d pass this along for those of you looking for a new tuner. Here’s a chance to get the TC Electronics PolyTune for just $77.72 (currently listed price – check for updates). This is by far the best price we’ve seen on this tuner. In fact Paul & I both just recently purchased this same tuner and paid more.

We’re both loving this tuner. It works well on both guitar and bass and has a bright display so it’s easier to see when playing stages in the bright day light.

Check for pricing updates prior to hitting buy as pricing deals sometimes change quickly. We’re not listing the name of the company that has the deal here, since it’s obviously an unadvertised deal, but it should be pretty obvious who the retailer is from the link below.

Here’s the link to the deal:

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Feb 082011
 

Which Cable's Right for You?

Guitar cables….ask ten friends what cable they think is best and you’ll undoubtedly get 11 answers! From whatever you get cheap in the bin at Guitar Center to high end cables in custom lengths from makers such as Evidence Audio, Klotz, Canare, Mogami and others, there really is no right answer for everyone. I have tried a wide variety of cables over the years and have more recently used several of the higher end cables available, and there is definitely a difference. Now whether or not that difference is good or bad, or even important to you at all, is completely up to your own ear and how sensitive you are to subtle changes in your tone. Guitar Player Magazine recently ran a short primer 5 Things on Guitar Cables and you can find it here.

Evidence Audio Melody

As we’ve moved to larger stages over the last year I made the move back to wireless (a story for another day), but still had to decide what to use on my pedalboard and in the snake from my board to my amp. A company that I’ve purchased from and been very happy with for the past several years is Lava Cable in North Carolina. Mark Stoddard is the owner sand he is very knowledgeable about what might best fit your needs. From my pedalboard to my amplifier I use his Lava ELC, and when I do use a cable on small stages I like the Evidence Audio Melody cable (used by both David Gilmour and John Mayer). These are not inexpensive cables and will run you close to $100 for a 20′ cable. One of the nice things about working with Lava is that Mark will make any cable to the exact length you want and I’ve definitely taken advantage of that when putting together my snake. You also have the option of straight vs. right angled plugs which comes in handy as well when configuring your connections. Lave has put together some great articles and information on cables in their Cable 101 Guide and you can find that here.

Planet Waves Kit

Another thing to consider is how best to connect all those pedals on your board. A lot of people like George L’s kits, and while I’ve used them, I prefer the Planet Waves pedalboard kits and that’s what I have on both of my boards. Lava Cable has come out with a kit that offers a 360 degree rotating sleeve which is very convenient, and they’re also the slimmest connectors you can find out there allowing you to have only a half inch of clearance between pedals. Again, none of these options are inexpensive, but making sure my pedalboard and all the connections are bulletproof is always my primary concern.

So what about a less expensive option? I have a friend who’s a renowned guitarist in the Northwest who plugs his stunning 1940′s Gibson Super 400 straight into his custom made Mesa Boogie amplifier with….the oldest, gray coiled cord he can find! That’s the tone that sounds best to him, and you know what, it sounds great!

So again, no one can answer the question about what cable’s best for you, except YOU. So experiment, try different things, borrow from friends, and eventually you just might happen onto that elusive tone in your head. Good luck!


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Morpheus DropTune

So it’s a new week and we wanted to remind you that we’re closing in on 9,000 followers on Facebook, and when we hit that magic 10,000 mark we’ll be giving away a brand, spankin’ new Morpheus DropTune pedal to someone on our email list! The great folks at Morpheus gave us this pedal at NAMM a couple of weeks ago and had already updated it with their latest software update. I just loaded the new update into my Morpheus pedal this weekend and there was a noticeable improvement. Mine has always tracked really well, but I noticed more fullness and a more natural sound. I have challenged several detractors of this pedal to listen to one of our sets and tell me when the pedal is on and not one person has been able to tell. This is one of those game-changing pedals and we look forward to giving this one away to one of our lucky readers!

So make sure to sign up below for our email list, then tell all your friends to “Like” our Facebook Page, and when we hit 10,000 we’ll randomly select someone from our email list and the pedal will be on its way! Good Luck!

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Thanks to TGM member Robert2112 for posting this video of a new Virtual Guitar Instrument from Vir2Instruments. If you’re a keyboard player looking for more realistic guitar sounds you may want to check this out.

Visit the original forum post for this video and add your comments

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Feb 042011
 

Eleven Rack

Users of DigiDesign’s Eleven Rack will be happy to hear that there is a new update on the way that will include 23 new amplifiers, 8 new cabinets, 6 new effects and a Speaker Breakup function. This is the first of what they say will be many firmware upgrades for the already highly touted Eleven Rack. Along with an all-new bass amp/cabinet simulation, the Eleven Rack also gets a parametric EQ and a compressor. A dynamic stereo delay with full ducking, panning and filtering control on delay feedback was also added.

New amps added with the expansion pack include the Blue Line Bass (based on the 1969 Ampeg SVT head); J45 (based on the 1965 Marshall JTM45 head); Black SR (based on the 1965 Fender Super Reverb combo amp); MS-30 (based on the 1993 Matchless D/C-30 combo amp); Plexiglas Vari (based on the 1967 Marshall Super Lead “Plexi” head with Variac modification); Plexiglas 50W (based on the 1968 Marshall Super Lead 50W head); RB-01b (based on the Bogner Ecstasy 101B head); Custom Modern Clean Amp; Custom Modern Super Overdrive; Custom Modern 800; Custom Vintage Clean; Custom Vintage Overdrive; and Custom Bass.

New speaker cabinet models include the 8×10 Blue Line (based on an Ampeg SVT 8×10 with “towel bar”); 4×10 Black SR (based on a Fender Super Reverb 4×10 with CTS Alnico* speakers); 4×12 Green 20W (based on a Marshall 4×12 with Celestion Heritage G12M speakers); 4×12 65W (based on a Marshall 4×12 with original issue Celestion G12-65 speakers); 2×12 B30 (based on a Bogner 2×12 with Celestion Vintage 30 speakers); 2×12 Silver Cone (based on a Roland JC-120 2×12) 1×15 Open Back (based on an Ampeg Reverberocket 1×15 with Jensen C15N speaker); and a 1×8 Custom.

They said to expect the update to be available in March with a list price of $99, and a street price between $69 and $79.

Eleven Rack Combo

Eleven Rack Stack

Also on the horizon is the new Eleven Rack Amplifier which finds the Eleven Rack sitting atop a stage-ready combo amplifier package. Details were still sketchy at NAMM, but we expect to hear more shortly and will report back here.

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We saw a preview of this application a couple weeks ago and NAMM and it has finally gone live in the Apple App store. PreSonus has definitely hit the mark with this new iPad app for their StudioLive mixers. This will work with either the 16 or 24 channel boards. The really cool thing is that you can use multiple iPads to control one StudioLive. This means that each member of the band could have their own iPad to control their own monitor mix!!! Or if you prefer to have the mixer on stage with you, just give the sound man an iPad and they can run FOH from the iPad from anywhere in the room.

Check out the video for all the details. If you have an iPad, but don’t have a StudioLive you can still download the app (it’s free) and play with the offline demo to get a feel for all the features.
PreSonus SL Remote - PreSonus Audio Electronics

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While not on display at NAMM this year, this is a guitar I thought everyone might be interested in having another look at. While I haven’t played this version of the Page guitar, I have played several versions of the original VOS Page #1 guitar and found them all to be very well done. While I’m not a fan of Gibson’s pricing structure for these artist guitars, they still are fun to look at, and hey, we can still dream can’t we!

From the Gibson.com Website:

“Every musician knows that late ’50s Sunburst Les Paul Standards are hard enough to come by as it is. Obtaining a pristine and exemplary ’59 ’Burst and modifying it for heightened performance and vastly expanded tonal options? Unheard of… unless, of course, you’re Jimmy Page. That’s exactly what the legendary Led Zeppelin guitarist, perhaps the world’s most iconic Les Paul player, did with his own ’59 Les Paul Standard, and now—thanks to the extreme efforts of Gibson’s Custom Shop and the intimate cooperation of Jimmy Page himself—the artist’s hallowed “Number Two” Les Paul is available to mere mortals, in the form of the Custom Shop Jimmy Page “Number Two” Les Paul. Produced in strictly limited numbers, with two levels of aging, this guitar captures the look, feel, sound, and versatility of one of the greatest artist-owned Les Pauls of all time, and it is likely to disappear from authorized Gibson dealers in record time.

The 1959 Les Paul that has come to be known as “Number Two” was purchased by Page in 1973 after trying for some time to acquire an exceptional second Les Paul. This was several years after having acquired his other legendary Les Paul—“Number One”, a ’59 ’Burst with shaved-down neck profile and no serial number—from Joe Walsh. “Number Two” was essentailly all original when he aquired it. Jimmy did have some modifications done to the neck shape so that it would more nearly match the feel of his “Number One”. The neck is certainly slim but not to such extremes as the now-ultra-slim neck on “Number One”. It had a strong, beautiful sunburst finish with a red element that had faded to a dusky amber-brown, along with a clear serial number dating it to 1959. Page played this Les Paul frequently through his days with Led Zeppelin, and in the early ’80s decided to make it an even more versatile instrument. Page also added that he wanted to “explore the full range of what the two humbuckers have to offer”. He designed a switching system for coil splitting, series/parallel, and phase-reverse options for both pickups, and employed a skilled electronics technician to devise a working schematic and make his sonic vision a reality. The result comprised a push/pull pot on each of the guitar’s four standard controls, plus two push-button switches hidden beneath the pickguard, all mounted on a ’59 Les Paul Standard that is otherwise a superb example of the breed, both in tone and playability.

The Custom Shop Jimmy Page “Number Two” Les Paul was recreated with intense, inch-by-inch examination of Page’s original guitar, inside and out. The process of getting it right involved the production of a number of hand-built prototypes, each of which was checked and critiqued in detail by Page himself. Approval of the final iteration was only offered after the legendary artist had intricately examined and extensively played this last prototype in his London home—after which it was given the thumbs-up, worthy of being the template for the Custom Shop Jimmy Page “Number Two” Les Paul. Only 325 examples will be produced in total: The first 25 instruments are to be aged by vintage-reproduction master Tom Murphy then inspected, played and hand signed and numbered by Jimmy Page personally. An additional 100 guitars will be given the extensive aging treatment and 200 will be finished to Gibson’s VOS specs.

Body

Body

Crafted from a uniquely figured two-piece Eastern maple top attached to a one-piece, solid, lightweight, genuine mahogany back, the Custom Shop Jimmy Page Number Two Les Paul follows the body lines and dimensions of the original ’59 Les Paul Standard.

Neck and Headstock
Neck and Headstock

The neck of the Custom Shop Jimmy Page “Number Two” Les Paul is constructed from one piece, quarter-sawn, lightweight mahogany for improved strength and resonance. The Luthiers in Gibson’s Custom Shop carefully match the grains and weights of these guitars’ bodies and necks to optimize tone and sustain.

Hardware
Control Knobs

The Jimmy Page Number Two Les Paul is equipped with top of the line hardware. From the Grover tuners to the stopbar tailpiece to the period-correct “antique bell” truss rod cover, it retains and replicates every bit of its predecessor’s strength.

Electronics
Pickguard-Mounted Push-Pull Switches

On this Les Paul, each of the controls’ potentiometers has been replaced with a push-pull pot for individual pickup switching functions, while two miniature push-pull DPDT switches have been mounted under the pickguard to provide additional universal switching functions.”
Photo Credit: Ross Halfin
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Male Flanged Inlet

So I’ve already written about the first Miracle Pedalboard Part, the Male Flanged Inlet. This part mounts flush in the side of your pedalboard and allows you to attach any extension cord into the side and power up your whole board. No soldering necessary, just a few screws and you’re set to go.

Pedalboard End

So as I was finishing up my new board, I built a new snake so that setup would be as quick and easy as possible. I have a power cable, a cable for the amp input, and a cable for the channel switching on the Boogie. Each is color-coded or labeled so that anyone could easily set up my rig, just match the colors and you’re good to go. The finishing touch was to bundle the snake and for that we come to the next Miracle Pedalboard Part, Snakeskin. I was turned on to this stuff by good friend Charlie Morgan at Morgan Sound and it really finishes off your setup nicely. Made of braided nylon, it is very much like those Chinese finger handcuffs you probably played with as a kid. As you stretch it out it gets smaller around, and you push it together it gets much larger around. You simply cut this stuff to the desired length, push it together to widen the opening, feed your cables through, stretch it back out, and you have a the perfect snake. A couple of small zip ties to keep everything in place and you’re set.

Close-up

Finished Snake

Now to be fair, getting all your cables through this stuff can pose a challenge. It seems to take me hours to get everything through and lined up just the way I want it. For some reason my daughter can thread multiple cables through this stuff in no time, so from now on the job is hers!  It comes in various diameters, you can get it at most electrical supply stores, and it really cleans up and finishes off your rig nicely.

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