I’ve recently had a number of fellow musicians approach me asking about how my band runs backing tracks for our live performances. I know that the use of backing tracks is a hotly debated topic in some circles of musicians, but we’ll leave that debate to another time. These days it seems to be more and more a fact of life for a lot of musicians that gig on a regular basis.

So, if you do need to use backing tracks the video above can provide an overview on one way in which to achieve success in a live environment. Our setup involves the use of a MacBook. We use the older white version as they’re cheap to find on Craigslist and are pretty durable (don’t ask about the time we were in Montana and our singer drove over the laptop with an SUV – no it didn’t survive and we ended up doing the show sans tracks that night).

 

For software we use Ableton Live to run the tracks. We either trigger the tracks directly from the laptop using the arrow and enter keys or we sometimes use the Novation Launchpad which has 64 small trigger pads. This works well for randomly firing off songs. We label the 64 buttons as 1 through 64 and then label all the songs with a corresponding number and assign the buttons to the proper track in Ableton. I didn’t cover this part in the video but it’s a simple midi learn function in Ableton. If needed I can probably do a follow up video on how this is done, but trust me it’s pretty quick and easy.

 

The cost of this kind of solution is not exactly cheap, but it’s really no more than buying a decent guitar, keyboard or other instrument. The MacBook was about $500 used on Craigslist (they can be found even cheaper these days). Ableton Live will also run on a Windows laptop, but my personal preference is to use a Mac. The full version of Ableton Live is $499, but you can get by with Ableton Intro for $99 if you’re ok with only using a stereo output (mono tracks on one side, click on the other). If you think you want a trigger input device the Novation Launchpad can be had for $127.50, or you could trigger from a keyboard, an old Trigger Finger or any other midi trigger you might have around.

Again, the use of backing tracks might not be the right path for every band (nor should it be). But if you need to use them then this is one method that I’ve found has been reliable in all kinds of venues from clubs, fairs, festivals, concerts, theater gigs and many more. The only time if failed us was when it got run over by a full size SUV and I really can’t blame it for not being up for the gig after such a traumatic event.

 

 

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Nov 052011
 

To round out the week of Jeff Beck adoration (by me), I thought I’d share this interview with his longtime guitar tech Steve Prior. As is usually the case, the best gear info always seems to come from the tech! One of the interesting tidbits here is the huge neck profile on the first run of Jeff Beck signature Strats. It turns out that Beck didn’t like that large neck profile either and had Fender make him a bunch of necks from which he picked his favorite.

And if anyone was able to get a better shot of Beck’s pedalboard than I did last week, I’d love if you could share it with all of us here. I took a bunch of pics from the front of the stage, but even from there it was impossible to tell what all was on there.

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Jeff Beck - Seattle 10/28/11

As I mentioned in my last post, Jeff Beck was in Seattle last week and I was fortunate enough to have tickets in the 7th row (Special thanks to Don and Jeff for that bit of luck!). Jeff Beck has been my favorite guitarist for as long as I can remember and I’ve seen him a few time throughout the years. The first time was in 1976 on the Wired tour, and it was easily the best show I’d ever seen. I was in high school then and I still remember parts of that show as if it were yesterday. To this day it ranks up there as one of my favorite shows ever.

Last week’s show was equally amazing, though quite different. It seems that Beck is now the acknowledged master who is completely comfortable with where he’s at and what he’s accomplished. His band was phenomenal, and he went out of his way to acknowledge and spotlight them throughout the show. As tight as any band I’ve ever seen, this is probably his best band since the original Jeff Beck Group lineup, and that’s really saying something!

I won’t bore you with all the details as there are some great reviews out there of his recent shows. But I did want to share a short clip I got at the show. People Get Ready has long been my favorite song, and holds very special meaning to me. I was able to get the first half of the song before security tapped me on the shoulder and told me there was no video allowed! So while I apologize for the abrupt end of the clip, here’s a great version of People Get Ready!

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In honor of the fact that Jeff Beck just made it through the Northwest for a handful of shows, and I was fortunate enough to see the Seattle show, here once again is my favorite Jeff Beck interview. In this clip he runs through a portion of his guitar collection, and as cool as the guitars are, it’s his playing that’s mesmerizing. When he picks up his ES-175 or 1954 Tele, he begins to channel Scotty Moore or James Burton. And when he shows you the old Gretsch he immediately sounds like Cliff Gallup. Easily my favorite guitarist ever, Beck continues to amaze and inspire, and I hope you enjoy this clip!

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Oct 262011
 

If you’re not familiar with Adrian Legg, this video should convince you that he is someone you need to listen to! In this video Adrian performs “Cajun Interlude” From the Vestapol DVD “Fingerstyle Guitar: New Dimensions & Explorations, Vol. One.” I was fortunate enough to see Legg some 20 years ago from the front row of a tiny club in Seattle, and it was one of the most jaw-dropping experiences I’ve ever had. Besides making this all look easy, he tells some of the funniest stories you’ve ever heard between songs. My favorite album of his is “Guitars & Other Cathedrals,” but you really can’t go wrong with any of them. I hope you enjoy Cajun Interlude!

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Apr 142011
 

Yamaha’s new StageMix iPad app for it’s LS9 mixers finally hit the Apple iPad App store yesterday. The app was previously available for Yamaha’s higher end M7CL mixers. This new app brings mobility to the mix engineer. With it’s “Sends on Faders” ability you could have the LS9 at front of house and have an iPad on stage for making adjustments to monitor mixes (or vice versa, LS9 on stage & iPad at FOH).

My band is thrilled by this new release as we use the LS9 for our in ear monitor mixer. The mixer lives next to our drummer which can make access to it a little challenging for the rest of us in some venues. With the new iPad app we can set up an iPad near the front of the stage for the rest of the band to use for tweaking their own mixes.

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Quick Looks – Keyboard Rigs at the Grammys

Here’s a look at some of the keyboard rigs at the recent Grammy awards show from KeyboardMag.com. Cool backstage video of several different keyboard setups. Sorry we were not able to embed the video in this post, but just hit the link at the bottom to take you directly to the proper KeyboardMag.com page.

By Robbie Gennet of KeyboardMag.com

“More peeks backstage at the 53rd annual Grammy Awards! As we were being given the tech tour backstage, there were some places where it was okay to shoot video and some where it was not. We were allowed to grab this brief snippets of the keyboard rigs of some of the night’s major performers: Eminem, Mick Jagger, Bruno Mars, and the Arcade Fire–who won Album of the Year for The Suburbs. Longer descriptions of the rigs follow in the text that accompanies each video.”

Videos Here: Quick Looks – Keyboard Rigs at the Grammys, Robbie Gennet.

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You may have already seen this video. But it makes me laugh every time I see it, so I thought I’d post it here for anyone who hasn’t seen it or just needs a good chuckle today.

This drummer is really into playing this song. Either he really likes ZZ Top or he just really digs playin’ his drums….what do you think?

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We saw a preview of this application a couple weeks ago and NAMM and it has finally gone live in the Apple App store. PreSonus has definitely hit the mark with this new iPad app for their StudioLive mixers. This will work with either the 16 or 24 channel boards. The really cool thing is that you can use multiple iPads to control one StudioLive. This means that each member of the band could have their own iPad to control their own monitor mix!!! Or if you prefer to have the mixer on stage with you, just give the sound man an iPad and they can run FOH from the iPad from anywhere in the room.

Check out the video for all the details. If you have an iPad, but don’t have a StudioLive you can still download the app (it’s free) and play with the offline demo to get a feel for all the features.
PreSonus SL Remote - PreSonus Audio Electronics

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Fender Online Lessons

Fender posted some incredibly good online guitar lessons today from the Fender University series. There are video lessons for Beginner, Intermediate and Advanced players covering Rock, Metal, Blues and Country from artists including Eric Johnson, John 5, Chris Duarte, Joe Bonamassa, Redd Volkaert and Albert Lee among many others. I’ve already watched a few of these and stolen some great chickin’ pickin’ licks from John 5. Even if you’re not a huge fan of online lessons (which I’m usually not) these are well worth a look. It’s a little slow today as they were just released and their site is getting pounded, but be patient and let me know what you think after you’ve had a look.

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Here’s something a little different today. Every time I see this video it makes me laugh. This band is called the Herding Cats and they put all their energy into creating an entertaining show.

I’m not posting this to promote the band, but rather to give a little food for thought as to how you might think outside the box and come up with something new or different for your show. Admittedly, their show is a little “gimmicky” and might not be right for every type of band, but it is still worth considering whether there might be something you can do to freshen up your live show.

Let us know what you think. Do you like this? Does your band do anything similar? Different? Do you hate this kind of thing?

This is a rather long video and the payoff doesn’t come until around the 5 minute mark, so don’t stop playback too early.

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Todays Video Posts

 Posted by Paul Schille at 12:45 am  Free, NAMM, News, Videos
Jan 162011
 

Have a look at our latest video posts from Day 3 at NAMM 2011. Here you’ll find:

A demo of the PLEK machine in action. Not the most exciting video you’ll ever see, but impressive nonetheless.

Johnny Hiland and Ron Lutreck playing at the Bolt Amplifiers booth.

Steve Morse and Dave LaRue playing at the Ernie Ball booth.

Ben Lacy and Jay Roberts playing at the THD/Jet City amp booth.

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Jan 142011
 

As we’re working our way through Namm 2011 we’re taking video of some of the coolest things we run across. Be sure to check out our YouTube Channel every day for the latest videos! Here’s what you’ll find up there right now…

Washburn acoustic with B-bender (2)

Johnny Hiland (2)

Night Ranger – Sister Christian

Roland GR-55 Guitar Synthesizer demo

Nord Stage 2 demo

Korg Kronos Workstation demo

Michael Campese – Trans Siberian Orchestra

NAMM Main Stage concert

Paul ‘s Ultimate Ears in-ear fitting

Paul playing Forrest Lee Jr.’s new paisley b-bender Tele

And as always, if there’s something you want us to check out, just let us know and we’ll do our best to find it for you and post it here! Thanks for all the great comments and keep ‘em coming. We love it!

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Now Nord Stage 2

One of the coolest things we saw yesterday at the show was the newly released (at 10:00 yesterday morning) Nord Stage 2 keyboard. Chris Martirano from Nord was nice enough to demo the board for us, and you can see a short clip of it here, and listen to a much longer audio clip in last night’s podcast.

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